My Art Making Weapons of Choice for 2020

I’m sure there’s more I can’t think of, but these are some of my favorite products for working in oil paint. 

Gloves in a bottle. I have a tendency to blend oil paint with my fingers at times. Now that I’ve had cancer I better cut that crap out! Well, this stuff makes it so I still can. I tried wearing gloves that I stole from my surgeon’s office — and wow — I don’t know how so many people work with them on. The sweaty nastiness of it all? No thanks!

bottlegloves

I’ve used Old Holland since high school and could always tell the difference between it, and others. It is expensive, so I only use it for certain colors and odd mixes. I’ve been told it is cheap crap marketed to Americans as being fancy, but I find the mix of pigment and oil to be a good balance. Winsor & Newton is always dependable  — not to oily or too solid. My other favorite jam is Williamsburg who I am mildly addicted to. And last but not least, the newer Gambin radiants. 

 

Williamsburg_tube

Princeton! I beat the crap out of these brushes and normally deal with fraying and splitting when it comes to fine detailed work. These are holding up better than I expected! I found out a lot of other painters I admire use them, too. They are inexpensive enough that you don’t feel bad about beating them to death and throwing them away. I also enjoy Robert Simmons brushes.

Hog bristle filberts. They are good for large areas — especially large works — because hog holds the paint better. I’m not too particular about the brand. For real, most artists are shocked by how few brushes I actually use. I look at their studios vs. mine and they have multiple jars full in every shape and form and size — while I have maybe 20, and most are never used.

Ampersand gessobord. No complaints here. Then again I work pretty small. Might not be good for really big stuff though, depending on how deep it is.

Centrurion Linen canvas. As far as anything else goes for larger commissions, I have been using a lot of linen mounted on gatorfoam from New Traditions (thanks to Stanka Kordic for hipping me to them).

Linen is something I only started working on in 2012 and I rarely go back to canvas as a result. I know quite a few people who work at The Cleveland Museum of Art rolled their eyes when I told them I was going for the linen mounted on gatorfoam, but it seems like it can’t be any less archival than other nonsense I’ve seen. I guess I won’t be around 150 years from now to know how they held up! For the times when I can’t afford the New Traditions gatorfoam because I’m doing a show and need it in bulk, I turn to Centurion.

For works on paper, artist Christian van Minnen hipped me to the Arches oil paper. I love it, I’ve only done smaller work with it but am curious to see where it would take me on a larger scale.

ArchesOilPaperSheets

Since I no longer have a studio and work from home with two spazzy cats, my glass palettes were not going to work anymore. Thankfully I found the Grey Matter paper palette! I like that is has a grey tone for when I mix colors against it, and I don’t have to deal with the task of cleaning it over and over and over. I can even fold it and tuck it away in my paint case for when my cats decide to go snooping. Thanks cats!

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I love my blue shop towels. Less lint and crap than regular paper towels, and more absorbent. One sheet just to clean off brushes can go on for several sessions. It is the Quilted Northern toilet paper of towels!

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If you don’t have a Silicoil jar to clean your brushes, I don’t know what you are using. They made us buy these back in high school! In fact, I think mine is from when I was 16.

Gamvar Varnish. Accept no substitute! Gamblin were nice enough to send me a sample and I was hooked, especially for work done on canvas or linen. It is so wonderful.

MGBV118

Baby table top easel. People kind of laugh when they see it, you probably expect a monster one when you walk into an artist’s studio (I have one but have used it maybe twice) and not this wee thing. My baby easel can fit things up to 18×24″ just fine.

Lukas Oil Mediums. They are so fancy, and they’ve been a really great line from what I have tried so far. 

A great website AMIEN with all sorts of information about varnishing, materials, and all the jazz they probably should teach you in art school in your first year — and don’t. Check it out!

What products are you using that you like? I always want to know.

Art in My Pad

The art I’ve been able to collect thus far is nothing like my own, and I think some people are surprised by certain pieces. I collect sparingly, not because I don’t like doing it, but because I hate clutter on my walls and it’s really hard when you are a half-assed minimalist. A “salon style” wall of art drives me crazy; I really hate it when galleries do it at exhibitions. Rotation of artworks happens often in my apartment, and it keeps me sane.

But, there are still so many things I would love to get my hands on! If only I had been paid better when working at a very old gallery in L.A., as the place was an art history candy store of fashion illustrations, pop art, set designs, lithographs and etchings I would have enjoyed very much! I still kick myself for not grabbing an Albrecht Durer woodcut for $1200, although it could have easily been a fake; a Robert Longo drawing from when he was on the ascent; an Abraham Walkowitz  drawing that was bought out from under me by the director of Forum Gallery at the time; a tiny Friedel Dzubas painting; the Larionov portrait that was actually better than most.  Ah well, great taste and thrift store finances has been the story for some time.

Lucky for me I seem to pick the winners when it comes to increasing in value. I almost feel like I should go into this as a consultant. Mind you, I would never ever sell anything of mine no matter how much they may be worth, now. I don’t buy things to flip or impress visitors; I buy because I love them.

Beyond my own work here and there, I thought people would like to see the work by others I have hanging around. This does not include several limited edition rock posters and other drawings, paintings, and photographs yet to be framed (that’s a whole section of my closet right now). These are just the originals and limited edition fine art prints. Click on each photo for the description…